giovedì 17 novembre 2016

Imaginary maps

From the series “Big Code”, oil and pencil on paper, 70 x 44 cm, 2011 - 2012.

When we consider a road map or a map of the territory we note that they contain different information that are represented by different means, according to the purpose for which they were created: each time we find colors, symbols and words that recall a precise meaning. What happens if I take these techniques of representation, these symbols, and take off the scope for which they were created and mingle them with each other? Will it be for the reader a text in a foreign language, that is meaningless, or through the world of associations and references that each of us possesses, will generate a new language and associate to those images a new meaning?
These drawings  are similar to the series "Code" but larger. While in that series the initial idea of the map is entirely invented, here sometimes I start with the virtual exploration (via Google Maps) of a real city, whose name then appears in the title of the drawing. But even in this case the real city is only a pretext. Its forms are gradually modified and reinvented. New symbols are added, the hierarchy of colors and the associations between the various elements are gradually distorted and lose their original meaning so that hardly an inhabitant of that city would recognize it as his own. With this process of work I explore the possibilities of change and evolution of the original language.



Kansas City

sabato 5 novembre 2016

Matryoshka

"Matryoshka". From the series "Abandoned rooms", oil on canvas, 80 x 60 cm, 2016. Original sold.

This series of paintings was inspired by the metaphysical landscapes of De Chirico. I have always been fascinated by their clear vision of the architecture, with the precise  design of the shadows, almost anticipating the modern use of three-dimensional modeling software. In the way I feel, however, more introverted and almost unsociable, the outer space is transformed into a closed one, private and protected, from which the human presence is totally gone away. In those rooms then, it may happen that some strange objects and some unexpected decorations appear, suggesting that the person who lives there has overcome the lack of relationship to the outside world with the richness and complexity of his inner world. 








martedì 18 ottobre 2016

Estuary

"Estuary". From the series “The earth seen from the space”, oil on canvas. 50 x 50 cm.

The first time I used Google Earth was fantastic. I could not believe that someone had photographed the entire planet, and that the exploration of this world was accessible to all. Browsing by chance I discovered amazing sceneries, looking at the city streets from far away I could accomplish wonderful virtual travels. I discover unexpected color blends at the mouths of the rivers or along the coast of the sea, shades that make uncertain the border between land and water. The cultivated fields create a dense mosaic of colors. The view from a great distance reduces the details and makes possible a new form of representation of the landscape. Basically, the only thing that is changed is the point of view.

Original available for sale: 

giovedì 29 settembre 2016

domenica 18 settembre 2016

Alphabet



From the series “Alphabet”, china ink on paper. 20 x 20 cm, 2010.

A barcode is the graphical representation of a series of numbers. What does creates the aesthetics of a bar code? It comes from lines, their thickness, the spacing.We can think of it as a language with its compositional rules, its grammar and its syntax.

I imagined to isolate these rules, separating them from the original purpose for which they were created, and I tried to change them gradually to invent a new language and perhaps new meanings.

www.federicocortese.com

mercoledì 31 agosto 2016

the tower

"The tower". Oil on canvas, 40 x 100 cm (15.7 x 39.4 in), 1990. Available for sale (US$ 1100, shipping included).