Birds

From the series “Point me at the sky!”, oil and pencil on paper, 35.5 x 24 cm, 2012. These original paintings are available for sale at the price of 280 US$ each one (shipping included). Contact me in case you are interested in more information about my work, the sales prices of individual works, or the availability for work on graphics.

(original sold)

(original sold)

(original sold)

From the series “Please do not kill butterflies”, pins, oil and pencil on paper, mounted on a wood panel. 23 x 20 cm, 2019. 

Contact me in case you are interested in more information about my work, the sales prices of individual works, the costs of the expedition or the availability for work on graphics.

American landfills

The landfill of Los Angeles

The landfill of New York (original sold)

Oil on canvas, 50 x 40 cm, 2019.

This series of paintings is inspired by satellite photographs that today, with tools like Google Earth, allow anyone the virtual exploration of the planet. Starting from those real images, I rework those aerial views, inventing new codes of representation and new decorative elements. The map is distorted, deformed, altered as if it were a past memory, but something of that place is still recognizable. 

These paintings are available for sale at the price of 850 US$ each one (shipping included). Contact me in case you are interested in more information about my work, the sales prices of individual works, or the availability for work on graphics.

Circular butterflies

From the series “Please do not kill butterflies”, pins, oil and pencil on paper, 35 x 30 cm, 2018. 

Please, all these dead animals ... Of course, not every one of us can or want to become vegetarian. Sure, in some cases, maybe, the medical experimentation needs them to get results. But we really have to kill them for our frivolous activities? ... Is it necessary to have so many pink pigs die in front of a camera? Do we really need to dissect sharks in formaldehyde, to starve stray dogs tied to a chain in the corner of a gallery, or to make innocent ants go crazy in twisted tubes of plexiglas? To make these drawings, no butterfly was killed.

Some of these original paintings are still available for sale at the price of 390 US$. Contact me in case you are interested in more information about my work, the sales prices of individual works, the costs of the expedition or the availability for work on graphics.

The voyages of Christopher Columbus

(original sold)

Original pieces from the series “Deformations”, oil on thick paper, 56 x 40 cm, 2017 / 2019.

I often paint imaginary maps. I like to play with the codes of representation and the symbols that are usually used in the cartography and in the representation of the territory. In this series of paintings, on the other hand, the starting point is a "historical" map, representing real events in the past, such as maps of explorations, migratory movements, conquests and wars. But in this case, rather than representing an itinerary, I was curious to represent that event from the point of view of the trace left in the memory. That fact, in addition to having occurred at a given time and in a given place, is a bit like a stone thrown into a pond that generates waves and upheavals. From the moment that event happens, a whole series of concatenated consequences appear, in the physical and real world, as well as in the immaterial nebula of the human experience.

These original paintings are available for sale at the price of 530 US$. Contact me in case you are interested in more information about my work, the sales prices of individual works, the costs of the expedition or the availability for work on graphics.

Memory of the coral reef

Oil on canvas, 60 x 80 cm, 2018. ORIGINAL SOLD.

Embroideries

(original sold)

“Embroideries”; pencil, ink and oil on paper; 40 x 40 cm, 2004.

The maps of the sky, unlike the traditional maps, have no edges or boundaries. Here there is no demarcation between land and water, there is only the position of dots representing the stars in the vacuum of space, and possibly the lines joining these points, to create similarities with animals, symbols or objects that help us remember and recognize. The plot of these points and these lines creates a fictional embroidery. This is the starting point from which I begin this series of drawings. But here the map quickly becomes tangled and twisted. Symbolic forms and objects appear. At first they seem to be of value in orientation, but soon they reveal to be obstacles, capable of generating a maze, and so you get lost, passing from a geometric order to the chaos of a tangled skein.