Time passing

 "Time passing". Oil on paper, 36 x 30 cm, 2019. 

The cities of the Moon

Oil on thick paper, 30 x 30 cm, 2016.

A map is an imprint, a sign of man in the landscape. An alien intelligence, observing our cities from the great distances of space, could interpret them as the characters of an alphabet, sort of messages, a code of signs, each one different from the other, each with its own meaning and its own syntax. This hypothetical alien presence may not even realize that these cities have a purpose and a function, which are the product of the way we have adapted to live on this planet, but it could engage in an attempt to interpret this unknown language, identifying the alphabet and associating to each character a precise meaning. Will we still be able to understand and share these new meanings, or will they have lost any sense for us?

(original sold)

(original sold)

(original sold)

The infinite city

 

(original sold)

(original sold)

Oil on thick paper, 35 x 63 cm, 2021.

In the contemporary metropolis one can often get the impression that there is no end, edge, limit or border. The city seems to extend in all directions to the horizon, often with monotony and apparent alienating repetitions. However, for those who live in it, the infinite city is not only a source of stress and frustration, but it is often an exciting jungle, a continuous challenge full of possibilities and unpredictable opportunities. In the infinite city we become small and the fear of being crushed can be great, but despite this it irresistibly attracts us, like a siren call.

Blast

BLAST 1 AND 2. Oil on thick paper, 44 x 44 cm, 2020.

Some concentric circles are superimposed over a very simple geometric pattern that resembles a city map, recalling the idea of an explosion. From the intersection of the two overlapped geometries, decorative forms are born, and somehow they dampen that suggestion of violence and destruction. The explosion thus is crystallized, becoming one with the surrounding elements and sharing their fragility.

Pottery

 

Oil on thick paper, 32.5 x 50 cm, 2017. 

Camouflage moth

An original piece from the series “Please do not kill butterflies”, pins and oil on paper mounted on a wood panel. 24 x 17 cm, 2014. Original sold.

The madman’s drawing number 4

 

An original piece from the series “The madman’s drawings”, oil and pencil on thick paper, 38 x 38 cm, 2012. 

In the museum of criminology in Turin are kept the drawings made by people who were once imprisoned in mental hospitals. Often in these drawings appears a chilling pattern made of geometries and symmetries, a sort of cage or prison made ​​of dense colored lines, arranged strictly within a rigid structure of compositional rules. It is as if those people were not only locked up against their will, but perceived in their head and their thoughts another prison, another cage, and with these drawings were able to represent it, with a dense overwhelming decoration. The affinity of these works with Buddhist mandalas is curious. In one case we associate these works with the idea of ​​meditation and stillness, in the other we are dealing with a mirror of anguish and despair. But the border between the two worlds seems to be fragile.